thy womb: the conquest continues: the best of Asia-Pacific

11/23/12

the conquest continues: the best of Asia-Pacific

Congratulations to Ms. Nora Aunor and Brillante Mendoza for their joint victory as best actress and best director, respectively, at the 6th Asia Pacific Screen Awards (APSA) in Brisbane, Australia.

Ms. Nora Aunor receives her APSA best actress trophy from best director winner
Brillante Mendoza at the national premiere of "Thy Womb" in Davao City.

The maiden cinematic collaboration of Aunor and Mendoza has been widely celebrated since its world premiere at the 69th Venice International Film Festival where they both received prizes from the critics.

From Venice to Brisbane (and other international venues in Europe and Asia), Aunor and Mendoza have reaffirmed their status as world-class artists with their historic triumph in APSA-- the first Filipinos to win at the so-called Oscars of the Asia Pacific comprising more than 70 countries-- the most prestigious accolade in cinema at the world's most diverse region.

Thy Womb is primed for more international awards, hopefully, as it competes at the ongoing 43rd International Film Festival of India (IFFI) and the 9th Dubai International Film Festival in December. The film is also expected to grace other festivals elsewhere next year.

See the the video clip from the ceremony during the announcement of winners:

For more details about the recent APSA victory, click here for the news and also here for a related story. Two thumbs up, "Thy Womb"!

Click here to access and watch the entire webcast of the APSA ceremony.

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A STORY AS DEEP AS THE SEA

“I am making a film about the Bajaus, with the aim to celebrate a nonviolent people amidst a very violent world. It’s an intriguing premise about a particular people of peace living in a place of endemic violence.

One of the most interesting peoples in southern Philippines, the Bajaus are native sea-dwellers that are also found in the neigh-boring Malaysian and Indonesian archipelagos. They are the so-called sea gypsies who are skilled in building various types of boats, and widely known as fishermen, pearl divers and mat weavers.

As a film, Thy Womb examines the opposing natures of two women (Nora Aunor/Shaleha’s sterility against Lovi Poe/ Mersila’s fertility) to reflect the prevailing condition in Tawi-Tawi, a place endowed with natural beauty and rich resources but mired in economic and socio-political crises. A quiet hell of a paradise, Thy Womb’s “birth place” and its environs are constant reminders of yesterday’s conflict that has remained unresolved up to the present.

The Bajaus are considered to be the most primitive and oppressed among several ethnic groups in the region; and they assume a subordinate status in their diverse and divided community, which includes the Samal and the Tausug, among others. But in spite of this, the Bajaus are generally perceived to be non-confrontational, forgiving, seemingly contented and happy people.

When wronged, it is said that the Bajaus would simply move to another place, bringing their houseboats (lepa-lepa), constantly roving, living in harmony with nature. To this day, they are mostly looked down, degraded and much maligned by their ethnic neighbors and others, thus rendering them harmless, helpless and almost powerless.

But in their heart of hearts, are they really so, or is it just another way of life merely misunderstood by those inured to violence? With this thought and theme, and my curiosity further piqued, the narrative voice of the film has emerged loud and clear.

With intensive research and truthful depiction of certain characters and their circumstances, as articulated in the poignant tale of an aging, childless couple who resolve to find the mother of their much-wanted child, I hope Thy Womb would show a slice of life in the best possible light."

– BRILLANTE MENDOZA