The movie ‘Thy Womb’
is spectacular not just because of its expensive special effects, the hundred
million-peso production budget, the star-studded main cast with hundreds of
players, but for its beautiful story, the kind you just have to watch.
The location is as spectacular—the water villages in
Sitangkai, Tawi-Tawi, a rich seaweed community.
What makes ‘Thy Womb’
even grander? It stars Ms. Nora Aunor and Bembol Roco, two Filipino actors
whose excellence and consummate passion for their craft remain unparalleled in
the local movie industry. More, ‘Thy Womb’
is by Cannes Film Festival Best Director Brillante Mendoza.
Of course, Lovi Poe turned out a splendid performance too
as with the Badjao actors who played themselves as members of the water
village.
The cinematography in ‘Thy
Womb’ offers sceneries so quiet and lovely even as they evoke wonderment on
how life is for people who live on those native houses built on stilts, with
seawater flowing freely underneath.
Now the story: Nora is Shaleha Sarail, a woman who had
already undergone three miscarriages and can no longer give her husband,
Bang-An (Bembol) a child. Shaleha will sacrifice and do everything to make her
husband happy so she convinces a village girl named Mersila (Lovi) to become
the second wife of Bang-An. During a traditional conference among the village
elders, Mersila accepts the proposal, but in a secret talk with Bang-An, she
makes him promise that after giving birth, he will separate from Shaleha.
Bang-An and Shaleha make love. A prophetic love-making.
The eyes of Shaleha are wide open and wondering even as Bang-An does the ritual
of a fruitless passion.
The close-up scene where Mersila gives birth that shows
the head of the baby coming out is so endearing – with Shaleha as the midwife,
herself, deftly assisting in the delivery. It’s a scene so tender, bordering on
the miracle of life and death, that will linger in the minds of moviegoers for
a long time. (CRISPENAMARTINEZ-BELEN, Bulletin Today)
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