"THY WOMB may not cater to the popular audience but it is a
stunning film mainly because of Nora Aunor's benchmark performance. Here it is
evident---her finesse and refinement as an actress of the cinema. I pray that
many people catch an otherwise non-commercial movie as this Brillante Mendoza
piece if only to give due respect and honor to the artistry of the director and
its superb lead actress." -- Jose Javier Reyes, award-winning
scriptwriter/director, elaborates on his endorsement for ‘Thy Womb’ in one of his recent Facebook status post:
Reyes's comment concurs with an earlier Facebook post by two of the country's noted film critics:
“A quiet but richly-textured, substantial film acted with
restraint and sensitivity by all the actors, led by La Aunor. Mendoza still in
top form. The Superstar, too… Ronald K. Constantino calls Nora Aunor the ‘greatest
actress of all time.’ Her new film lends credence to that accolade.”—Mario Hernando, member of the Manunuri ng Pelikulang Pilipino
"Nora Aunor is the story and the
storyteller is Brillante Mendoza. Great reputation precedes the film. Aunor,
the ultimate thespian, comes back to honor the festival that was once her
dominion."-- Tito Valiente, chairperson of the Manunuri ng Pelikulang Pilipino, in his recent column reflecting on the Metro Manila Film Festival. (Click here to read the full article.)
Such affirmative assessment of the Aunor-Mendoza collaboration has proven to be a worthy consequence of the care for excellence devoted during the process of conceiving and birthing the film. For instance, exemplifying authenticity of artistry for her role as a Bajau
midwife ironically cursed with her own infertility, Ms. Nora Aunor learns in
this raw unedited footage how to do real-time delivery of a baby. Her
performance has been the heart and soul of the year's most internationally
acclaimed film that won awards for her and director Brillante Mendoza at the
69th Venice International Film Festival and the 6th Asia Pacific Screen Awards (APSA) in Brisbane, Australia.
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